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Janis Plotkin: Femmes Fatales, Monsters and Murderers - the Jewish Presence in Weimar Cinema (Virtual on Zoom)
Many of the creators of early German cinema (1918 - 1933) were Jewish immigrants to Berlin from Eastern Europe. German Expressionist cinema, a revolutionary innovation, found Jews both in front of or behind the camera. The class features cinematic masterpieces that foreshadow the coming political storms. Femmes fatales and monsters abound in: THE BLUE ANGEL, THE CABINET OF DR. CALIGARI, THE GOLEM, and M.
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